The Paradoxical Relationships Within the Play Much Ado About Nothing

Hero and Claudio 

     At first glance one would assume after characterizing Hero and Claudio that their relationship was golden or they were always meant to be. However as the story progresses, one can conclude this is not the case. At the beginning of the play both characters seem to have similar traits. Claudio is characterized as noble, brave, fearless, and virtuous. "He hath borne himself beyond the promise of his age, doing in the figure of a lamb the feat of a lion." (I. I. 9-14) Hero is also characterized as a kind, gentile, and virtuous young girl. "She is the sweetest lady that ever I looked on." (I. I. 171-172) One would believe that Hero and Claudio having matching personalities would therefore have a stable and sweet relationship. However in Act III Claudio's true nature begins to appear. Claudio soon seems to be portray as a  bit immature. Not only was he to shy to confront Hero about his feels, which is not considered brave or fearless, he convinces Don Pedro to device her. This action does not match his stated noble characteristics. Furthermore, he also is quick to accuse and turn on people. "May this be so? If I see anything tonight, I will shame her." (III. II. 103-109) Without even hesitating he states he will turn on Hero and toss her to the side if she has been disloyal. This action is not to be considered noble or virtuous as he has not actually been confronted with the truth, but either way he has already disregard Hero. Thus, although the couple may appear sweet, Claudio has some what of a mixed personality as his characteristics seem to change from the battle feild to the comforts of home. As the reader discovers Claudio's true personalities, they can conclude that he is not who he appears and therefore not a suitable partner for Hero. Their relationship is not paradoxical but completely clashes.

Beatrice and Benedick 

     While Hero and Claudio appear to have a strong relationship, it is the opposite with the case of Beatrice and Benedick. At first glance both characters seem to dislike each other  endlessly teasing each other, too stubborn and proud to admit defeat. "I wonder that you will still be talking, Signor Benedick; nobody marks you. What, my dear Lady Disdain! Are you yet living?" (I. I. 105-107) Both Beatrice and Benedick are no doubt portrayed as witty and clear and it is love that is born out of their hatred for each other. Both soon trying to please each other. "He that hath a beard is more than a youth, and he that hath no beard is less than a man." (II. I 30-31) When Beatrice claims she dislikes men with beards, Benedick gladly shaves his in order  to impress her. Furthermore, although both claim to hate each other and refuse to marry, when hints are dropped that the other loves them, they seem to forget about their hatred and immediately fall in love with the other."Benedick, love on. I will requite thee, taming my wild heart to thy loving hand." (III. I. 111-113) Both characters stubbornness and pride is what allows them to love each other as they are both trying to prove that are not unable to love but are passionate and caring. Therefore, a love is born out of hate and their own stubbornness. Their relationship paradoxical.